Joe Budden vs. Method Man – What the blood clot?

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Joe Budden over the years has turned into the new 50 Cent. No, we are not talking about a multi-platinum selling artist. We are talking about beefing with rappers for no apparent reason. Beefing with rappers to get publicity for themselves. Joe Budden had a little underground buzz in 2003.  His self-titled album, “Joe Budden” was released.  The debut had some positive feedback, but it did not sell like he and others thought it would. Joe began to do a few underground mixtapes to create buzz for his sophomore album, and during this period he began to unleash some lyrical fury.

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Budden began to diss the Game, Saigon and Jay-Z, and his latest victim is Wu-Tang Clan’s Method Man. Some beefs should not happen. Joe Budden beefing with Method Man is like Bow Wow beefing with Rakim. There really is no contest. One of the most intriguing beefs in quite some time, and no one really cares. Many hip hop fans have no clue who Joe Budden is. If they do know who he is, they only know he hit single, “Pump It Up“.  This beef is similar to the Game versus Jay-Z: one rapper is younger, proclaiming the veteran has passed their prime. The younger rappers try to build credibility by dissing a veteran in the rap game. 9 times out of 10, it backfires. Joe Budden struck a match with subliminal disses to Method Man:

Joe Budden’s D.O.A. Freestyle (video after the break):

“They gasping, time-out go take a break from the clay and grab a Gatorade/A bad contract, team can’t make a trade/Majors fuckin’ you in the ass/You gonna stay a slave…Shit is fucked up and I blame it on the way it was paved/So I’ll chill for the sake of your age/You’re great live, but let me know when that stage get appraised.”

Method Man has said on countless interviews that he is not into beefing with other rappers. He just wants to make great music at the end of the day. Method Man decided to not diss Joe Budden back but he did discuss why Joe Budden should not waste his bars on M-E-T-H-O-D Man. Inspectah Deck of the Wu-Tang Clan decided to diss Joe Budden on a track called “House N***a.

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Inspectah Deck’s House N***a (video after the break):

“First of all, you a blogger, YouTube goon/House n*gga,” Deck raps. “I see you like to put your world online, ain’t nobody checkin’ for you/They checkin’ for your girl’s behind/While your homie in the bedroom, dustin’ his eyes/While you filmin’ dumb sh*t/They probably f*cked a few times/How you Slaughterhouse, you barely get a nod/I’m convict, benchin’ daily in the yard/So I’m built like Optimus Prime/You couldn’t see me with binoculars, I’m/way ahead of you…This n*gga’s life’s a publicity stunt/But he think he fever/I ain’t a believer/Def Jam chucked him/They ain’t feel him neither/Why are you talking like the Morpheous of rhymes/When my first sh*t sold more than all your sh*t combined…Mef let you live, I’ma set it/And I ain’t on the phone but you get the text message…And I ain’t gotta talk about Gloria Velez/Stalker a** n*gga, you were callin’ her obsessed.”

Joe Budden took the Method Man route and dissed Inspectah Deck with his words not on wax.  Chi-King also chimed in on Joe Budden on his track called “Righteous Kill”.

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Chi-King’s Righteous Kill (video after the break):

“Got questions for ya label whats the real intent ?/ I know this dude dont think he 50 cent /
50 got money and hood credibility not some crazy maybe runnin round the industry /4real 4 real word for word u get / blasted go from a padded room end up in a padded casket/”

“You bit Jigga style try to spar with meth / Saigon stomped a hole in ya ass u still test /throwin punches off the court like Ron Artest/have me droppn bombs get on dawgs i flex/

Inspectah Deck and Chi-King attacking Joe Budden on Method Man’s behalf might not be a fair fight but Wu affiliates have always had each others backs. Joe Budden retracted his statements he made against Method Man claiming they were of “bad taste.”  Joe Budden and Method Man officially squashed their beef on July 20th 2009, at the Rock the Bells show in Wantagh, New York.

The Aftermath:

Method Man and his partner in crime, Redman, released their second album in 10 years, “Blackout 2!” on May 19th, 2009. Both men are currently on tour with The Alchemist, Termanology and Dilated Peoples called “Still High”. A sequel to How High is also in the works.

Joe Budden has finally released his second album, “Padded Room”. He is releasing two follow-up albums called “The Great Escape” and “Escape Route” in the fall of 2009. Budden is also apart of a rap supergroup called Slaughterhouse. Slaughterhouse consists of four rappers, Joe Budden, Crooked I, Royce Da 5′9 and Joell Ortiz. Slaughterhouse is releasing their debut album on August 11th, 2009.

read the full article…

BeatSneaks – MIDI sneakers

I’m a huge fan of out-of-the-ordinary MIDI devices of all kinds.  For some reason, the concept of crossing sneakers with a drum machine had never crossed my mind, but now it’s all I can think about, thanks to a cool how-to article and video from Tom Hobson at Hobgob Eclectronics, about their prototype “BeatSneak” project.  There are sensors in the toe and heel of each shoe, giving you a total of four “pads” to work with.

more info at Hobgob Eclectronics here: BeatSneak Howto

found via Make Magazine -- BeatSneaks and via Instructables -- Musical MIDI Shoes

Sound Scientists – Raw Materials Volume 1 (2003)

To follow-up the latest Sound Scientists release, we will be posting the rest of the albums in the catalog over the next few weeks.  After getting a few requests for the first album, here is Raw Materials Volume 1, produced by Smoothbeats and Trioptic, and featuring Alter Ego (Niko & Nes) – now known as Damaged Goodz, True1, Porn Dogs, Stealth Entity, Naut (RIP), Question?, Vs-a-tyle and more.  This originally came out in 2003, but had a very limited release.  In fact, the file posted is not the retail copy of the album – it’s missing the intro, has an additional instrumental (“Art of Noise”), and the tracklist is a little out of order.  Other than that, enjoy!

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Download Links:

http://sharebee.com/312e70b1

http://www.badongo.com/file/16052722

http://www.zshare.net/download/628099104b7875fd/

http://www.megaupload.com/?d=LGN3GMXK

http://rapidshare.com/files/257024061/sound_scientists-raw_materials_vol1-2003.rar.html

http://depositfiles.com/files/a5v8uasi6

RBI – Rap Battle Introspection – LL Cool J vs. Canibus

LL Cool J is infamous for his rap battles with Kool Moe Dee, MC Hammer and Ice-T. Many hip hop heads were confused when LL began a feud with young up and coming rapper Canibus, who was introduced to LL by his former managerm Wyclef Jean.   LL worked with young rappers – he would put them on a track and give them exposure.  In 1997, “4, 3, 2, 1,” a track on LL’s album, “Phenomenon,” featured Canibus, DMX, Method Man & Redman. Canibus wrote his verse on the track and LL took it as a low blow. The line “L, is that a mic on your arm? Let me borrow that” was taken out of context and LL told Canibus to change his lyrics.

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Canibus agreed to this only if LL would change his lyrics as well.  LL did refused, and lyrically murdered Canibus on the track. The lyrics LL  spit that dissed Canibus were “The symbol on my arm is off limits to challengers” and “Now let’s get back to this mic on my arm / If it ever left my side, it’d transform into a time bomb / You don’t wanna borrow that, you wanna idolize.” No one knew this at the time until years later when Canibus’ original verse was leaked. Many hip hop fans were disgusted, and fellow rappers said LL Cool J was just stroking his ego – that the  diss wasn’t  necessary.

After the track was made, Canibus and LL began to take their feud a little further. Canibus recorded the track “Second Round K.O.” and made a music video that featured Mike Tyson. This song dissed LL Cool J for being on a family sitcom, dissing his family and his ego. It was well received and, propelled Canibus’ career.  LL Cool J counter attacked Canibus with the vicious “The Ripper Strikes Back.”  Canibus’ album “Can-I-Bus” only went gold, and critics panned the release.  LL Cool J came out with another diss track that featured Ja Rule, called “Back Where I Belong” on his “G.O.A.T.” album that was released in 2000.  Canibus’ career was pretty much dead at this point, with only his debut album selling well.

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The aftermath of the rap battle:

Canibus’ albums after his debut did not chart, and sold less and less as time went on.  In 2002, he enlisted in the U.S. Army and he released “Rip the Jacker,” his most critically acclaimed album. He was later discharged from the service for smoking marijuana. Canibus is well known for his lyrical ability, but many critics pan him for selling out through his career to achieve commercial success. Sources have said Canibus will retire releasing 3 more albums. At first, he was referred to as a “modern day Rakim” for his complex lyrical ability, but LL Cool J killed his career.  If it hadn’t been for the battle, maybe Canibus would have gained more commercial success.

LL Cool J continued to be a force in the rap game. All of his albums since “Phenomenon”, the original diss track that featured Canibus, have gone platinum. LL has had a lot of hits, along with being an entrepreneur and a successful actor appearing in 19 movies since 1997.  He released his last album off of Def Jam recordings, the only record label he has been a part of since 1985.  LL is now a regular character on the successful crime series “NCIS: Los Angeles”.  LL Cool J’s presence and status could not be overshadowed by Canibus, and everyone knew it. One of the few rap battles in hip hop that didn’t make much sense.

Sound Scientists – Instrumentally Sound (2009)

HipHopProduction.com is happy to announce a long-overdue release from Sound Scientists, entitled “Instrumentally Sound.”  This instrumental-only album was produced by Trioptic of the Sound Scientists, and features 20 beats created over the last 5 years.   Links to free download posted below album art.  Please enjoy this release, and feel free to share (please do!)

Instrumentally Sound is the first official solo release from Trioptic of Sound Scientists.  The album includes a few beats previously featured on Adult Swim, along with instrumentals used by 12 O’Clock (Brooklyn Zu) and Chi-King.  You can also check out the music video for Nocens Sonitus at the bottom of this post.  For more information on Sound Scientists, you can check out a list of credentials here: http://hiphopproduction.com/soundscientists/

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Download the album for free

Mirrors (updated 01/25/2010)

depositfiles.com/files/jeo7kovug

megaupload.com/?d=IQ742FE2

badongo.com/file/15994233

zshare.net/download/626533451bb0d392/

Music Videos:

Nocens Sonitus:

Rich ‘n Stingy -- Live, performed by Chi-King and 12 O’Clock (Brooklyn Zu)

Deathproof Beat Battle Video Footage

In case you don’t live in the San Francisco area, here is an update on the recently posted Death Proof Beat Battle won by pOETiq.

This is the footage from the Beats Rhymes and Life Deathproof Beat battle in which producers have to samples songs from the soundtrack of Quentin Tarantino’s “Deathproof”/Grindhouse. The first two clips are mostly talking but it’s beats/music from there on out and we play the originals first so you can hear what folks are sampling.

Shout outs, introduction, explantion of the Deathproof beat battle and stand-up routine from FLO:

Check out the entire coverage here.

Want more? Here is the footage from the BeatFellas Battle.

Numark Scratch Deck Preview

Back in October of 2008, news started spreading about a DJ interface for video games.  Actually, ever since learning about DJ Hero (a spinoff of the popular Guitar Hero) producers, beatmakers and DJs have been eagerly awaiting more details.  Recently, Numark released a video preview of how their Scratch Deck will work:

One of the coolest features of this new device, is the inclusion of MPC-style pads to trigger drums!  Looks like we’ve come a long way from Parappa the Rapper and Beatmania.  Now let’s just wait for all the awesome downloadable content and scratch packs!  We will be posting as much content on this as possible, so stay tuned!

Here’s the preview video for Scratch: The Ultimate DJ

Free Beats

found via NuMaga.com

Instead of Free Hugs this guy is giving away free beats for anyone that would like to perform something, with hilarious results.

Create Your Own Stereo Microphone

What’s better than making your own music? Making your own music, on instruments you also made yourself!

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Randy Sarafan posted a tutorial on how to make a stereo microphone from scratch over at instructables.com, along with an easy step-by-step guide and pictures! Found via the Make Blog.

It has come time for me to update my home recording studio to continue recording my own brand of intergalactic low-fi, disco, funk, folk rock. Rather than spend big bucks on a stereo mic setup that won’t offer me the low quality sound that I am accustomed to, I have decided to build my own for next to nothing almost entirely out of found parts. Now I can get awesome panning effects that can easily be mimicked in software, but never truly replicated.

Turntablism in the Digital Age

As a great follow-up to the recent post on DJ schools gaining popularity, Create Digital Music has posted an article on Stanton SCS.3d and Open Scratch Scripting, and a video example featuring DJ Jungleboy and another with DJ Pegasus.  This article also links to a new Freeware DJ software called Mixxx.  Hip Hop Production will be posting much more on Mixxx in the near future -- and stay tuned for an upcoming series on video scratching with VirtualDJ, and non-destructive scratching.

via Create Digital Music:

… it’s fun just watching DJ Jungleboy work behind a pair of Stanton SCS.3d controllers. These instruments seem designed for him. In a way, a lot of what he’s doing could easily be done with a sampler and drum pad, like an MPC setup…

… you can script the SCS.3d with Mixxx, the open source DJ tool for Windows, Mac, and – yep – Linux. Serato is a terrific and solid tool, but if you’re looking for something a little different, Mixxx looks terrific.

This also demonstrates why choice makes controllers much more powerful, just as you’d want choices and versatility with a musical instrument.

and some more info on MIDI Scripting with the SCS.3d at the Mixxx Development Blog, along with videos:

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