Promote Your Music on Grooveshark NOW!

This couldn’t have come at a better time, right in the middle of my series on How to Promote Your Album on a Budget, inspired by the original 8 Tips for Getting Your Music Heard for Free!

If you haven’t joined Grooveshark already, now is the time to get on it. It’s 100% free, and very similar to Pandora (but actually a lot better). Lots of you may have heard of it, but maybe not – I only found out about it about 6 months ago because my friend knows a few of the developers in FL. Grooveshark will promote your music via streaming radio through browser, desktop, iphone, android, etc. They just released a Band / Artist Appreciation program, and they are having a promotion to give smaller artists free plays. You just sign up here:

then after signing up, you just upload a few tracks (or as many as you want). It’s totally free, and all you need is an email address.

After you have created your artist account and uploaded some songs, you create a referral link and pass it around. Every 5 people that sign up, you get 2,000 guaranteed plays.  More information is on the Grooveshark Artists Blog.  But seriously, just click the link above and get started now, instead of waiting until later.  All you need is an email address and at least onesong in mp3 format.  I remember when I put off joining Myspace Music back when everyone was just starting to talk about it. It wasn’t a huge missed opportunity or anything, but I wish I had promoted my music on it a year earlier than I did.  Same goes for Twitter. Screw Facebook.

Check back soon for my review of Grooveshark’s AutoPlay program for paid plays, along with Jango Radio, SoundOut track reviews and more…

Promoting Your Album on a Budget (Part 1)

As a follow up to my previous article, 8 Tips for Getting Your Music Heard (For Free),I decided to up the ante a bit, and see what was possible with a budget of  $150.  The test album for this experiment is my own instrumental collection of beats, “Instrumentally Sound” by the Sound Scientists.  This series of articles will also serve as reviews on CD Baby, GrooveShark, SoundOut, Jango Artist Airplay and CreateSpace.  At the end of the process I am hoping to get my music into all of the major online stores (iTunes, Amazon MP3, Rhapsody) and into regular rotation (or as close to it as possible) on various online radio stations (Pandora, Grooveshark, Jango, etc.).  It’s always great to get feedback too, so the more information I can get about my listeners, the better.

I’m writing these reviews from the perspective of an artist trying to spread their music through as many avenues as possible.  The reviews won’t be based on profits, but on how useful each services proves to be, how easy they are to use, and anything else that impresses or disappoints me.  Seeing how the album is already available online for free in multiple places, it would be a tainted experiment to judge anything based on sales.  Plus, this is not so much about how to improve sales, but how to improve the amount of people that actually hear your album.

The budget I decided on originally was $100, but in order to review more services, I upped that to $160.  There is still plenty you can do for under $100 in order to gain a little more exposure.  The other requirement I have for this series, is that all of the processes must be digital, and all done online.  I do not want to bother with manufacturing, mailing, inventory or any of the overhead that goes along with physical CDs.  Unfortunately, some services (like Pandora) require a physical retail album (complete with UPC) – however there are ways to get around that too, without spending any money out of pocket.

First things first – any respectable artist with an album these days, has that album for sale in iTunes and Amazon MP3 (among other places).  Even if you aren’t planning on making a living off digital album royalties, it’s great to refer people to your work in the same places they get all of their other music.  For this, CD Baby seems to fit the bill perfectly.  The next post in this series will cover the entire process of submitting your music to CD Baby, which includes digital distribution via iTunes, Amazon MP3, eMusic, Rhapsody, Napster, Spotify, Verizon V-Cast, Nokia, Zune, and lots of other services that I hadn’t even heard of.

Best Hip-Hop Inspired Instrumentals of 2000-2009

Hip-Hip production is unlike many other genres of music – producers create beats from many different sources. The fact that so much of hip hop revolves around sampling, actually forces a close-minded producer to open up to other genres. Whether it’s appreciating the breakbeats of psychedelic rock groups from the 60s, the melodic synth loops of the 80s, or the progressive variety of Krautrock; every sample-based producer is forced to listen to other genres of music, in search of these samples. Many times this will lead to having a larger appreciation for music in general, which in turn opens you up to all sorts of creativity.

In addition to getting inspiration from older genres via sampling and etc, it’s incredibly useful to listen to other types of current music, without any intention of sampling. Staying aware on the progression of other music styles is essential. With that being said, here is just a small selection of hip-hop inspired music that I highly recommend for expanding your musical palette.  This is a “Best of” post, but obviously it’s next to impossible to list every good song or even album released over the last decade. If you know of some good music, please post them in the comments below!

read the full article…

Joe Budden vs. Method Man – What the blood clot?

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Joe Budden over the years has turned into the new 50 Cent. No, we are not talking about a multi-platinum selling artist. We are talking about beefing with rappers for no apparent reason. Beefing with rappers to get publicity for themselves. Joe Budden had a little underground buzz in 2003.  His self-titled album, “Joe Budden” was released.  The debut had some positive feedback, but it did not sell like he and others thought it would. Joe began to do a few underground mixtapes to create buzz for his sophomore album, and during this period he began to unleash some lyrical fury.

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Budden began to diss the Game, Saigon and Jay-Z, and his latest victim is Wu-Tang Clan’s Method Man. Some beefs should not happen. Joe Budden beefing with Method Man is like Bow Wow beefing with Rakim. There really is no contest. One of the most intriguing beefs in quite some time, and no one really cares. Many hip hop fans have no clue who Joe Budden is. If they do know who he is, they only know he hit single, “Pump It Up“.  This beef is similar to the Game versus Jay-Z: one rapper is younger, proclaiming the veteran has passed their prime. The younger rappers try to build credibility by dissing a veteran in the rap game. 9 times out of 10, it backfires. Joe Budden struck a match with subliminal disses to Method Man:

Joe Budden’s D.O.A. Freestyle (video after the break):

“They gasping, time-out go take a break from the clay and grab a Gatorade/A bad contract, team can’t make a trade/Majors fuckin’ you in the ass/You gonna stay a slave…Shit is fucked up and I blame it on the way it was paved/So I’ll chill for the sake of your age/You’re great live, but let me know when that stage get appraised.”

Method Man has said on countless interviews that he is not into beefing with other rappers. He just wants to make great music at the end of the day. Method Man decided to not diss Joe Budden back but he did discuss why Joe Budden should not waste his bars on M-E-T-H-O-D Man. Inspectah Deck of the Wu-Tang Clan decided to diss Joe Budden on a track called “House N***a.

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Inspectah Deck’s House N***a (video after the break):

“First of all, you a blogger, YouTube goon/House n*gga,” Deck raps. “I see you like to put your world online, ain’t nobody checkin’ for you/They checkin’ for your girl’s behind/While your homie in the bedroom, dustin’ his eyes/While you filmin’ dumb sh*t/They probably f*cked a few times/How you Slaughterhouse, you barely get a nod/I’m convict, benchin’ daily in the yard/So I’m built like Optimus Prime/You couldn’t see me with binoculars, I’m/way ahead of you…This n*gga’s life’s a publicity stunt/But he think he fever/I ain’t a believer/Def Jam chucked him/They ain’t feel him neither/Why are you talking like the Morpheous of rhymes/When my first sh*t sold more than all your sh*t combined…Mef let you live, I’ma set it/And I ain’t on the phone but you get the text message…And I ain’t gotta talk about Gloria Velez/Stalker a** n*gga, you were callin’ her obsessed.”

Joe Budden took the Method Man route and dissed Inspectah Deck with his words not on wax.  Chi-King also chimed in on Joe Budden on his track called “Righteous Kill”.

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Chi-King’s Righteous Kill (video after the break):

“Got questions for ya label whats the real intent ?/ I know this dude dont think he 50 cent /
50 got money and hood credibility not some crazy maybe runnin round the industry /4real 4 real word for word u get / blasted go from a padded room end up in a padded casket/”

“You bit Jigga style try to spar with meth / Saigon stomped a hole in ya ass u still test /throwin punches off the court like Ron Artest/have me droppn bombs get on dawgs i flex/

Inspectah Deck and Chi-King attacking Joe Budden on Method Man’s behalf might not be a fair fight but Wu affiliates have always had each others backs. Joe Budden retracted his statements he made against Method Man claiming they were of “bad taste.”  Joe Budden and Method Man officially squashed their beef on July 20th 2009, at the Rock the Bells show in Wantagh, New York.

The Aftermath:

Method Man and his partner in crime, Redman, released their second album in 10 years, “Blackout 2!” on May 19th, 2009. Both men are currently on tour with The Alchemist, Termanology and Dilated Peoples called “Still High”. A sequel to How High is also in the works.

Joe Budden has finally released his second album, “Padded Room”. He is releasing two follow-up albums called “The Great Escape” and “Escape Route” in the fall of 2009. Budden is also apart of a rap supergroup called Slaughterhouse. Slaughterhouse consists of four rappers, Joe Budden, Crooked I, Royce Da 5’9 and Joell Ortiz. Slaughterhouse is releasing their debut album on August 11th, 2009.

read the full article…

RBI – Rap Battle Introspection – LL Cool J vs. Canibus

LL Cool J is infamous for his rap battles with Kool Moe Dee, MC Hammer and Ice-T. Many hip hop heads were confused when LL began a feud with young up and coming rapper Canibus, who was introduced to LL by his former managerm Wyclef Jean.   LL worked with young rappers – he would put them on a track and give them exposure.  In 1997, “4, 3, 2, 1,” a track on LL’s album, “Phenomenon,” featured Canibus, DMX, Method Man & Redman. Canibus wrote his verse on the track and LL took it as a low blow. The line “L, is that a mic on your arm? Let me borrow that” was taken out of context and LL told Canibus to change his lyrics.

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Canibus agreed to this only if LL would change his lyrics as well.  LL refused, and lyrically murdered Canibus on the track. The lyrics LL  spit that dissed Canibus were “The symbol on my arm is off limits to challengers” and “Now let’s get back to this mic on my arm / If it ever left my side, it’d transform into a time bomb / You don’t wanna borrow that, you wanna idolize.” No one knew this at the time until years later when Canibus’ original verse was leaked. Many hip hop fans were disgusted, and fellow rappers said LL Cool J was just stroking his ego – that the  diss wasn’t  necessary.

After the track was made, Canibus and LL began to take their feud a little further. Canibus recorded the track “Second Round K.O.” and made a music video that featured Mike Tyson. This song dissed LL Cool J for being on a family sitcom, dissing his family and his ego. It was well received and, propelled Canibus’ career.  LL Cool J counter attacked Canibus with the vicious “The Ripper Strikes Back.”  Canibus’ album “Can-I-Bus” only went gold, and critics panned the release.  LL Cool J came out with another diss track that featured Ja Rule, called “Back Where I Belong” on his “G.O.A.T.” album that was released in 2000.  Canibus’ career was pretty much dead at this point, with only his debut album selling well.

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The aftermath of the rap battle:

Canibus’ albums after his debut did not chart, and sold less and less as time went on.  In 2002, he enlisted in the U.S. Army and he released “Rip the Jacker,” his most critically acclaimed album. He was later discharged from the service for smoking marijuana. Canibus is well known for his lyrical ability, but many critics pan him for selling out through his career to achieve commercial success. Sources have said Canibus will retire releasing 3 more albums. At first, he was referred to as a “modern day Rakim” for his complex lyrical ability, but LL Cool J killed his career.  If it hadn’t been for the battle, maybe Canibus would have gained more commercial success.

LL Cool J continued to be a force in the rap game. All of his albums since “Phenomenon”, the original diss track that featured Canibus, have gone platinum. LL has had a lot of hits, along with being an entrepreneur and a successful actor appearing in 19 movies since 1997.  He released his last album off of Def Jam recordings, the only record label he has been a part of since 1985.  LL is now a regular character on the successful crime series “NCIS: Los Angeles”.  LL Cool J’s presence and status could not be overshadowed by Canibus, and everyone knew it. One of the few rap battles in hip hop that didn’t make much sense.

Ohm64 – Handmade USB MIDI Controller

Touted as competition to the APC40, Livid’s Ohm64 looks like something I needed, but wasn’t aware of that until just now. The preview over at Create Digital Music is pretty extensive:

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Livid Ohm64:

  • Open source editor, partially open source firmware, open source patches to connect to whatever you want
  • Custom MIDI assignments, for use with whatever you want
  • MIDI for now, but the chipset supports open source solutions for OpenSoundControl (OSC) in the near future – and even DMX (for lighting) is a possibility
  • USB and standard MIDI jacks so you can sequence outboard gear
  • Bus power
  • 64 trigger buttons in a more logical 8×8 array
  • “Made in the USA by humans” – with a beautifully-crafted body
  • Free Cell DNA video software included

read the full article…

Beatmaking on a Budget

Unless you have an unlimited budget, it’s important to know where the best deals can be found, and cheaper solutions to the effects you are looking for. Perhaps you can replace an expensive outboard rackmount effects processor with a free VST plugin.  Assuming you do have a budget (albeit it limited), there are plenty of options out there for getting the gear you want. Thanks to some great articles on “Recession Gear” posted over at BeatStatus, these options are all explained in detail – including lots of great sources for gear that I was unaware of.   Check out some of highlights below:

SP-1200 Crunch For a Fraction of the Price

sp1200Any SP-1200, regardless of condition, is hard to find below $1000 and sometimes go upwards of $1500 – $2000. Now that’s simply too out of reach for most of us since it’s primarily going to be just for drums. Not quite affordable in anyway. There are a few options out there that can give you almost the EXACT sound at a fraction of the price.

  • Classic Price: E-Mu SP-1200 $1000+
  • Budget Option: E-Mu SP-12/Turbo $300 – $600
  • Recession Gear: E-mu Emax (I) (SE/HD/Keyboard/Rack) $150 – $250

read the full article…

Software Compressor Wars

Well, I’ve heard a lot of questions about whether one compressor sounds different than other ones. I decided to find out for myself by comparing them. Basically, I took 5 compressors (Waves Bundle, Golden Compressor, Sonalksis SV-315, Sonitus, and TC Native DeX) and then a drum loop and sample and compared them.

I used the same settings on every compressor each time. Here are some of the screen shots of the compressors I used to work in Sonar 4 with the drum loops first. read the full article…